Sony Alpha A100K Digital SLR Camera (18-70mm Lens Kit)
Truly a camera to shake up the DSLR market!! When Konica Minolta decided to withdraw from the camera market last year, they had just started on a collaboration with Sony. As a result, Sony bought the relevant assets & technologies from Konica Minolta, and continued on the development program on their own. This is the fruit of their labours, and it looks to be an absolute cracked of a camera the chip is a slightly tweaked version of that from the Nikon D200, as that is produced by Sony, the revolutionary Minolta CCD shifting anti-shake system has been overhauled by Sony engineers, now producing the effect of a shutter speed 3.5 stops faster that that used, and the ISO1600 setting is now usable as well. If this weren t enough on it s own to get the camera-buying public s mouths watering, the camera includes 2 separate anti-dust technologies we have already heard anecdotal evidence of people changing lenses in the desert with any problems – and look forwards to trying this ourselves! Ad… more >>
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(out of 20 reviews)
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Review by P. Kingston for Sony Alpha A100K Digital SLR Camera (18-70mm Lens Kit)
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I’ve used a film SLR for most of my photographic life. Then a few years ago I got into digital, and have had two Nikon Coolpix (including the splendid twisty-bodied 4500) and then an Olympus semi-SLR (the 8080 wide zoom, with bend-out LCD screen). Someone stole the Olympus. What should I do?
I was very tempted by the Sony DSC-R1, with it’s live twisty LCD and excellent lens. And there is tremendous competition now amongst SLR suppliers, with new announcments from all the majors. But I chose the Sony, and after five days and many hundreds of pictures I’m very pleased with the camera.
You can read about its technical performance at http://www.dpreview.com. What I can add is that this excellent performance is easy and inviting to make use of.
The focussing screen is clear, crisp, and bright. I find I often want to use manual focus, and can switch back and forth from manual to auto by simply moving a switch. And there’s a depth-of-field preview easy to hand.
These controls are typical- what you want is to hand, and works logically (at least, as I expect). With the Olympus after a year’s use I was still going back to the manual to find how to do things. The Sony feels familiar after five days.
The camera feels good to hold- a good grip is a huge help with avoiding camera shake, which this camera helped further by an antishake system that works with all lenses.
And then there are the twiddly bits- for example the fact that the autofocus switches on and the LCD switches off when I bring the camera to my eye (although I find the camera can mistake my chest for my eye when I have it round my neck), and that the LCD image stays upright whether you have the camera horizontal or vertical.
These as well as the advantages you expect from this generation of DSLR- instant start-up, very quick reaction to pressing the button, and if you want it three frames a second until you’ve run out of space on the card (in .jpg).
I was pleasantly surprised to find that the standard kit zoom gets you pretty close up to a flower or an insect, and does this at maximum zoom so that you don’t find your shadow is interfering with the picture. My first “extra” has been a secondhand Minolta AF 1.7 50mm standard lens, which I have found excellent for snapping people indoors by available light (find your way round Minolta lenses for the Sony at http://www.dyxum.com).
I miss the infra-red remote control supplied with the Olympus (there’s a long and a short wired control for the Sony, but at large additional cost). And I’m sure I’ll miss the ability to sight a picture down low or up high using a twisty LCD screen. And in some quiet “candid camera” situations the clunk of the mirror which is part of a true SLR can draw attention. But for me the advantages, starting with composing pictures on that fine focussing screen, far outweigh these losses.
Review by B. T. Lowe for Sony Alpha A100K Digital SLR Camera (18-70mm Lens Kit)
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INITIAL REACTION: Have just started using the a100 and, after researching for a couple of months, it certainly lives up to its promise. Being a former Minolta film SLR owner, the Sony seemed to be the obvious choice with the alpha mount meaning that most Minolta lenses are compatible. However, since I only own the one Minolta lens, that wasn’t really an issue. A MUCH bigger issue is the built-in image stabilization on the a100. It works amazingly well and combined with the feeling of holding a solid piece of kit in your hands, gives you great confidence. Comparing lens prices with Canon EOS400 and Nikon D40 models, it’s clear that the Sony SuperSteady Shot is a long-term money saver.
Anyone reading these reviews will also undoubtedly be checking out other sources such as the excellent dpreview and yes, there will be those who have specific requirements – such as high ISO shooting – who may be better served by the Canon or Nikon. Personally, by checking out the models in-store, I found holding the Canon to be a little too cramped and a little on the light side – more in-line with my old Minolta – and I wanted something comfortable and substantial in my hand. The Nikon, on the other hand, just didn’t justify me investing so much initially and over the long haul. With some Carl Zeiss lenses on the horizon, I’m fairly confident the a100 can compete in most situations. To sum up:
Pros: Great value (inbuilt image stabilization); Eye-start focus is great under the right conditions (and can be deactivated); Fantastic images (which can be sharpened if you find the default settings too soft) – at least up to ISO400; Confidence-building look and feel – makes you FEEL like a photographer!; Easy to use menu system (a little drab, but a first-class LCD with innovative features) and the same ease of use overall as previous Minolta SLRs.
Cons: Bundled lenses could be better – they do the job but the look and feel of them lets you know there is more potential lurking in the body; Outperformed by Canon and Nikon at very high ISO settings; Don’t like the Compact Flash slot very much – on an otherwise great body, it’s a little flimsy;
Review by M. G. Chisholm for Sony Alpha A100K Digital SLR Camera (18-70mm Lens Kit)
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I have to first say that I was rather amused by the semi-literate rant from some chap called Oleg. As he does not actually own this camera I’m somewhate bemused by his overly protective attitude towards his Canon, which is I’m sure excellent. I have had this camera for a week now and find it hard to fault. I’m happy to admit that I’m no expert and this was bought as a means to learn DSLR photography having had a Nikon F60 film camera before, however having looked at most of the cameras in this price range it clearly gives one the most “Bang for your buck.” 10.2 Mp means photo standard prints at A3, the auto eye focus is a neat idea and very fast. I’ve compared photos that a work collegue has taken with his Nikon D200 and artistic merit aside the results at our level are hard to differentiate. I will of course accept that a pro will want more but this camera provides every possible mode of operation and a healthy range of lenses given that it’s an upgraded Minolta. Sony have a good range of accessories too (mind you don’t they all) and of course there are many other third party providers. Definately the best camera for your money. Mind you I bought mine in the US and it cost me three hundred and seventy five quid all in. Isn’t it nice to live in the UK…….
Review by V. Brean for Sony Alpha A100K Digital SLR Camera (18-70mm Lens Kit)
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This camera comes at around the same price as a Nikon D40, and cheaper than a D40X…and I would say it is a better buy
The Image quality is really great, I am particularly impressed with the Matrix metering…its very reliable and much less “quirky” than the meter on the Nikon D40/D80, if you want great “no brainer” shots with auto matrix metering…the Sony is great, with a bit of care, blown highlights and washed out pics are virtually non existent with this camera
If you have ever used a Minolta 5D…well this is the same cam, only a bit better (10MP sensor, a bit nicer finish, menus a bit better organised etc) I find the kit lens pretty good, but this cam is also available with a 18-200 (11X) lens, which is a great range…and with the anti shake, makes a great alternative to a “superzoom”…so check out that other lens
Performance is about the same as other DSLRs…its fast enough for me with a great burst rate if you need it…..but best of all, the images are really lovely
Only thing I dont like too much, is that the flash has to be raised for the Autofocus illuminator to work….Nikon have it beat here, I must however point out, that the low light focus without the illuminator is very good right down to very low light levels, its just that Nikons will focus a bit quicker in very dark conditions….no big deal. One thing to be aware of is that if you buy the external flashgun (there are two Sony flashguns available)…even with the flash turned off, but mounted on the cam…the autofocus illuminator on the flashgun operates to assist focus…this is great, and with the flashgun attached to the camera, the focus speed in low light is improved even more, making it comparable to the D80
I have used both this camera and a Nikon D80 extensively, given the huge price difference, and the superior metering of the Sony….I would say go with the Alpha…its great.
Review by Mr. Cj Jothi for Sony Alpha A100K Digital SLR Camera (18-70mm Lens Kit)
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Ever since I picked up my dad’s Canon AE1 with a beautiful f1.8 50mm gracing the front I have been a sucker for film photography. Being creative is important in life and this is where I find the opportunity to express myself, making something tangible that you can look at all day, share with friends, and remember moments that have passed.
Having learnt the basic elements of photography; aperture, shutter speed, ISO, film speeds, focal lengths and so forth I decided to move on from my dad’s 70s equipment and get my own gear. After weeks of researching, on the net and visiting high street retailers I decided to go with Minolta and their then internationally celebrated Dynax 5. I could have gone with Canon or Nikon but Minolta has always been the quietly admired, underrated company that professionals would commend but rarely go for. Everyone I spoke to though agreed that in terms of value and performance Minolta’s camera bodies and selection of lenses surpasses the more popular rivals. And because less people owned the lenses, the more likely you would find a bargain or two on ebay! So over the course of a year I snipped up a 50mm f1.7 prime, 70-210mm f4 zoom and 24mm f2.8 wide angle lens. Between the three lenses, and the Dynax’s compact yet feature packed body, I was ready for everything I wanted to achieve.
Over the past year my brain, for some reason, started telling me that now is the time to take a plunge into DSLRs. The prices are constantly falling, the technology is moving forward, and the benefits are as clear as daylight. Hearing Sony pick up Konica Minolta’s Dynax technology and existing lenses was one of those “too good to be true” moments. Sony are great. Sure, they’ve made their own mistakes, but when they put their mind to it they often rival if not beat all the competition. With their ties to Carl Zeiss, their deep pockets, and undisputed experience in electronics, Canon/Nikon et al are no doubt looking over their shoulder. It is an exciting time for Sony, and I look forward to what they will bring to the photography industry.
The Alpha A100 is Sony’s first foray into the DSLR market and is a clear statement of intent. Underpriced (which Sony NEVER do!) and boasting the same sensor as the D80/D200 etc it is as good as all the 10 MP cams out there. As I own three excellent lenses I decided to buy the Alpha. It’s a big leap, from digital to 35mm, and sure enough I am keeping my film body, but I am glad I took the jump!
Comparing the Dynax body with the Alpha’s the differences are clear to see. Whilst the Dynax is more compact and lighter the Alpha looks and feels sturdier. The hand grip on the right feels comfier and the function + mode dial buttons are clearly improved (chunkier, more like the Dynax 7 or other pro bodies).
The beauty of having used a Dynax is the fact that it still uses the Dynax principles. The readings, the focusing, the different modes. Sony have shown great respect to the way the Dynax bodies functioned. What they have done is improve the form factor and added fairly nifty features, whilst retaining what made the Dynax so successful.
The only complaint, which is prevalent with many other bodies, is the small viewfinder. The Alpha’s feels 1/3 SMALLER to my Dynax. I do not know why this is. Maybe something to do with the smaller sensor. It’s just a major disappointment because focusing becomes more difficult.
The main disadvantage of these lower priced DSLRs is their 1.5X crop/magnification factor of the 35mm lenses. This was the main obstacle stopping me from buying a DSLR. I love my 50mm f1.7 lens, but now it is a 75mm lens. And buying a 35mm prime for this camera to emulate a 50mm focal length will cost me hundreds of pounds. Sure, I could use the zoom lenses, but we all know this is a compromise in sharpness and speed.
As for the picture quality? Well I’m impressed. The dynamic range is as good as a number of my preferred film stocks and the colours are very rich. Focusing could be improved but because of the technology you can zoom into your images immeasurably more than what you did with film. All the multiple exposure options, white balancing and other image tweaks ensure you get the image you want.
The best thing about the Alpha is the KM lens mount. Having used Minolta glass for five years I KNOW how good it is. For the newcomers, boy are you gonna be in for a surprise. Sony have breathed new life into Minolta’s lenses and are rebranding them with Sony’s logo. There is so much choice, and for the pros, with these new Carl Zeiss lenses coming around you should be reassessing your allegiance to Nikon and Canon. Why? Just look at the Alpha and you will see why!